Every time a movie about and for audiences who aren’t white and male does well, everyone acts like it’s a big surprise. “Black people and women like movies? Who’da thunk it?” It’s actually not surprising at all that Straight Outta Compton had a massive opening, handily defeating its more standard competition. Because all kinds of people like movies and when you make movies for all kinds of people, you end up with huge weekends at the box office.
A few weeks ago, tracking for Mission: Impossible – Rogue Nation was supposedly in the toilet. Early reports suggested that Tom Cruise’s fifth outing as super-spy Ethan Hunt was not getting people excited. This would be the end, the experts said, of a franchise that has kept Cruise’s career surging forward for the past two decades. Well, that was apparently a big load of crap because Rogue Nation opened well and opened in the same ballpark as the rest of the franchise. Even with inflation differences, this series keeps on hitting the same box office sweet spot.
When Universal scheduled Ted 2, they surely had no idea that Seth MacFarlane’s swearing teddy bear sequel would be squaring off against one of the biggest box office juggernauts of all time...a juggernaut that they themselves had created. So it’s not surprising that Jurassic World topped the box office again and it’s not surprising that Pixar’s Inside Out held onto second place. What is a little surprising is how low Ted 2 opened, falling significantly short of its predecessor’s opening weekend.
Everyone knew that Jurassic World was going to open big, but no one saw this coming. The fourth film in the beloved dinosaur-centric franchise had the second biggest domestic opening of all time, the biggest June opening of all time, and, with $511 million worldwide, the biggest international opening of all time. It also broke a bunch of records that we’ll get to in a few minutes. This was supposed to be the summer of Avengers: Age of Ultron. Unless something goes horribly wrong, this is officially the summer of Jurassic World.
As expected, Avengers: Age of Ultron dominated the box office for the second weekend in a row, pulling in numbers that would be the envy of most summer blockbusters’ opening three days. And while the only new release of the week faltered, it was a surprisingly strong week overall, with many of the films in the top 10 faring well despite facing one of the biggest movies of the year.
Last night’s generally unremarkable episode of SNL peaked early when it took advantage of its proximity to Mother’s Day to do something kind of remarkable. As part of her opening monologue, guest host Reese Witherspoon declared that the show was going to mark the occasion by bringing each cast member out with his or her mother...and then forcing them to apologize for their childhood transgressions.
Avengers: Age of Ultron doesn’t hit American theaters for another week, but Marvel’s latest superhero epic opens today in many theaters around the world. This means that you need to tread cautiously if you want to avoid spoilers, but it also means that Amazon.co.uk is already offering its users the chance to pre-order the film on Blu-ray and DVD. We know that the window between theatrical and home releases are shrinking, but that’s just ludicrous. However, it’s the details about the disc that should get fans stroking their chins and saying “Hmmm.”
For the third week in a row, Furious 7 took the top spot at the box office and made it look easy. Not even a trio of newcomers could slow down the latest entry in the crowd-pleasing action series, which has become the fastest film to reach $1 billion worldwide. On the domestic box office, it’s equally impressive. It’s a juggernaut. A cultural event. At the end of the day, Paul Blart: Mall Cop 2 may make some money, but it’s making that money in the shadow of a genuine phenomenon.
Prolific character actor James Best, most known for playing the bumbling Sheriff Rosco P. Coltrane on The Dukes of Hazzard, has passed away from complications following a battle with pneumonia. He was 88 years old.
What does a movie studio want out of its sequels? Is a sequel a failure if it simply matches its predecessor or does it need to make more money? That’s the big question that’s swirling around Insurgent, which made almost exactly as much as Divergent did one year ago. Seriously: there’s only a $500,000 difference in their opening weekends. So is Insurgent a success or a disappointment?
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